The width ofthe main portion of the block is shown in plan as 2^, Ijetween the lines lettered ae. The large central opening extends from w^iv^ to x^y^. side ele^-ation shows clearly the object dealt witli, while we look to the endview for most of the dimensions. ^sections of a block (if irrcf/tilar form, with two nwtiiaUij perjjendicular openingsthrough it, and loith equal, square frames projecting from each. Shadelines on this view are located for ^pictorial effect and not in accord-ance with shop rule. With section made by vertical plane P Q ££ Reference line p- SIDE ELEVATION. Īuthors: Willson, Frederick Newton, 1855-1939Ĭontributing Library: The Library of Congressĭigitizing Sponsor: The Library of Congressġ46 THEORETICAL AND PRACTICAL GRAPHICS. Title: Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work. Observe, too, the dis-cord between the ceilingof the church and of thechancel, and also b Observefirst the discord and con-fusion of lines in the endview of a Chapel in theCatacombs, Fig. Look now atsome equally discordant interior effects, which also are connected with a violationof parallelism. Compare these with the consonanteffects in St. 60,page 191, and also in the Chateau de Randau, Vichy, Fig- 85, page 258. roof in the Plan for a Theatre and Ton-Halle, Fig. Notice, too,a violation of consonance closely allied, because the formsare composed of lines, to that of parallelism, in thedifferences in pitch given to the different parts of the 262 THE GENESIS OF AKT-FORM. Comparewith these, the consonance of corresponding forms inreally great buildings like the Greek Temples, Fig. 29, page 85, and in the Plan fora Theatre and Ton-Halle, Fig. ![]() 67, page 205, in the Palace of Justiceof the same place, Fig. Title: The Genesis of art-form : an essay in comparative easthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architectureĪuthors: Raymond, George Lansing, 1839-1929Ĭontributing Library: Princeton Theological Seminary Libraryĭigitizing Sponsor: Princeton Theological Seminary LibraryĬlick here to view book online to see this illustration in context in a browseable online version of this book.ĬONSONANCE, DISSONANCE, AND INTERCHANGE. I scanned the Negative and used Photoshop Elements to correct the exposure and to generate this Digital Image. Other than the Union Station (itself), I hardly recognize the area it has changes so much.ĭisclaimer: I took this photo on Decemwith my Minolta Maxxim 5000 SLR using Print (Negative) Film when I was just learning photograph so they are very soft & grainy. Amtrak then operated from a makeshift station on the mainline which passed behind the station.īack in December 1993, when I took my Photos, AMTRAK operated out of a House Trailer, but when I looked up Union Station using Google Earth, I saw that they have a more formal Building and an elevated passenger loading platform. The station, itself had been converted into a shopping mall with stores, restaurants and tourist attractions. The train shed was no longer used for regularly scheduled passenger trains, but as a museum with several Locomotives, Cabooses and Freight Cars on display. This Photo shows an Alaska Railroad Coach Number 5443 on the middle track between two other Passenger Coaches. Louis Union Station, while on a business trip in Missouri. ![]() I took this photo under the train shed of St.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |